Motivos personales: Group Exhibition

André Strahinja's work aims, through the decontextualization of media images, to find references that reveal the internal structure with which our visible or invisible reality is constructed. Using pictorial means, he recreates selected scenes from movies, representing situations that unveil the way this illusion is built, making us believe in what we see.

The technique of analog collage comes to life in Fernanda Alcalde's works, creating imaginary spaces that merge history and culture on the same canvas. Through deliberate disfiguration, she urges us to reevaluate our perception of how we interpret information through the senses. An invitation to explore a reality altered through the construction of spaces that never existed.

Juan Pablo Mejías presents works where photography and painting converge to explore the homoerotic gaze on the male body. His voyeuristic approach to collecting images from the internet becomes a portal to a transformed imaginary. Through the rearticulation of documentary images and using the painting technique, he creates works using images of a asexualized masculinity as a reference, which he then transforms into art through the brush and from an erotic perspective.