Pamela Fernández-Corujedo revisits her parents' house, and among the everyday objects that populate the artist's memory, a profound connection with human essence hides, a link that transcends time and presents new layers of observation connecting our history and our present. The meticulous and patient capture and development of analog photography give form to this temporal connection.
Facing it in the gallery is the work in oil painting by Catalina Torres, who selects three photos of her companion to reproduce them in hyper-realistic painting. It is here that the subjectivity of the creator becomes the guiding thread. Among the selected snapshots, Catalina not only reproduces the image with meticulousness but also makes her choice regarding the transitional spaces, where the unfinished reveals the process through which the painting goes to achieve the eye-catching trap that makes us think that the image on the canvas is a faithful copy of its original. The selection of what will remain in constant non-finito becomes an intimate reflection of the artist's decisions and emotions.
Thus, these two apparently divergent creative modalities converge in the current exhibition, dialoguing through time. Through the deliberate choice of analog media and non-digital processes, the artists celebrate patience, intuition, and the beauty rooted in the imperfection of the human experience. Both remind us that creativity flourishes from the human, in the nuances and details that shape our lives and experiences, in the possibility between the existing and the potential.
